Wednesday, August 31, 2011

Andrea Perez Stahl House Assignment 1





Tadao Ando, The Church of Light





LaShai Waterman - Assignment 1 (The Rudin House)





Raphael Santos Assignment 1


House N - Sou Fujimoto -Oita, Japan - 2008


A distinct boundary is nowhere to be found, except for a gradual change in the domain. In a nested structure, the inside is invariably the outside, and vice versa. The project idea is to make an architecture that is not about space nor about form, but simply about expressing the riches of what are `between` houses and streets. This is a presentation of an ultimate house in which everything from the origins of the world to a specific house is conceived together under a single method.


White Nested House N by Sou Fujimoto environment White Nested House N by Sou Fujimoto




White Nested House N by Sou Fujimoto interior livingroom White Nested House N by Sou Fujimoto

White Nested House N by Sou Fujimoto volumes White Nested House N by Sou Fujimoto

White Nested House N by Sou Fujimoto diningroom White Nested House N by Sou Fujimoto

White Nested House N by Sou Fujimoto bedroom White Nested House N by Sou Fujimoto

White Nested House N by Sou Fujimoto interior garden White Nested House N by Sou Fujimoto


Nolasco, Anette Assignment 1






Pereda, Veronica - Assignment 1


LaShai Waterman - Assignment 1 (The Rudin House)

LaShai Waterman ARC 4058 Fundamentals of Digital Design

Rudin House – Herzog & De Meuron – High Rhin, France – 1997

Major Concept:

At home Rudin, Herzog and de Meuron on childhood memories evoke the image of a house, rescuing the most characteristic elements such as the large fireplace, sloping roof, so a single volume. Associating with an elemental simplicity and cleanliness in their finishes, reaching beyond the literalness of imaginatively conceived as a house, exorcised the idea of a primary home to two water to reduce it to a degree zero of iconographic representation.

Since the distance does not differ in terms of volume but its neighboring completely alter their references. The house eludes own parameters of historicalness sweetened hypocritical of the new buildings falsely traditional for them to take only a vision that reflects its abstract geometry and the vision that leads to child in the house that we all recognize.

Spaces:

Inside the house stands out as a central element of transition and interior-exterior and back the great staircase that goes from floor to the ceiling, where the vertical axis of the house and the element that organizes. This is along the longitudinal axis of the building, leaving the stays on either side of the journey and ends under the light of a large skylight that takes light in terms of economy and the asymmetry caused by the mismatch of the axis of the ridge with the axis of the ladder.

รจ At first glance one might say that the shape and external appearance is a very typical home, as we imagined a house in our childhood: the waters of two roof, windows and doors and a great big fireplace. The roof is nothing more than a roof, walls, and both are simple walls forming a single plane where they have perversely doors and

http://en.wikiarquitectura.com/index.php/Rudin_House

Fiorella Salamanca, Brick Weave House by Studio Gang








Rudin House- Sana Qureshi






Holmes, Ryan / STAHL HOUSE/CSH #22 Los Angeles CA Pierre Koenig 1960

Pierre Koenig designed the Stahl Residence not to be seen. Instead, it was designed to be little more than a viewing platform for the spectacular, ever-changing work of art that is the world outside. Koenig himself explained “when inside, you don’t see the house, only the view.” "Being in the house is like being in a hot air balloon, floating high above the valley floor. By day, the view is a patchwork quilt of the city-scape, by night it becomes a blanket of twinkling lights. "

"JetSetModernist — STAHL HOUSE/CSH #22 Los Angeles CA ...."JetSetModernist. N.p., 14 July 2010. Web. 31 Aug. 2011. .